MADE IN PARIS
In an old 19th century industrial courtyard lying between Bastille and Nation, Mathilde Baralhé has set up her gallery show-room to act as a stage for the work of the modern artists and designers she has chosen to promote.
The simple Made sign on the blind door of the red brick building, so typical of 19th century industrial structures, soberly welcomes her visitors. The surprise awaits within: a unique atmosphere that speaks of a new era. It is in the workshops of an old timber industry, sheltered from the nearby city turmoil, that Mathilde Baralhé has decided to set up her gallery. It is located in a lively area where citizens of the world and textile wholesalers cross paths with all manner of artists and creators.
Thus she opens the door to her show-room and residence to all those eager for contemporary creativity, to aesthetes and experts alike, all of whom come here to enjoy the invigorating atmosphere that is a million miles away from ambient conformism.
MADE IN PARIS
In an old 19th century industrial courtyard lying between Bastille and Nation, Mathilde Baralhé has set up her gallery show-room to act as a stage for the work of the modern artists and designers she has chosen to promote.
The simple Made sign on the blind door of the red brick building, so typical of 19th century industrial structures, soberly welcomes her visitors. The surprise awaits within: a unique atmosphere that speaks